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  • "Street-ing" San Francisco

    • 31 Mar 2012
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    • 5d Travel canon chinatown hawaii marc orbito photography san francisco street travels whark
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    (part 2 of 3 in my San Francisco series)

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    Street photography is very much like fishing. You pick a time and place, prep your gear, head out there, and just hope you are keen and lucky enough catch something...

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    I shoot the streets when I'm in need of a photographic rejuvination. I enjoy commercial work, but it can sometimes be strict in its creative opportunities. Rendered images or pre-conceived shoots of people or models often stimulate the "groins" of the Facebook generation more than anything - it's wonderful at drawing fans and exciting bunches of people, but sometimes it hides truth and honesty and throws viewers brains out of the window. I needed a change of pace.

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    When I first started, I shot the streets because I had nothing else. I did it to learn. I did it for the pure love of photography. Often times I have to remind myself: life and humanity have much to offer. And there is great thrill in what the unknown or unscripted provide - situations that are unparalleled in its beauty and far more wonderous that anything I could ever plan or set up. To shoot the street is to feel life's pulse. It is to feel MY pulse.

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    Unlike part 1 ("Alcatraz"), people living is very much the theme here. Where that post was almost entirely desolate, in this second series of images, I try to fill the frame with people... 

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  • Twins

    • 11 Mar 2012
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    • babies baby children families family hawaii honolulu kid kids marc newborn orbito photography photoshoot
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  • Cari + Chase = 1

    • 26 Feb 2012
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    • hawaii hongwanjio honpa hotel love marc moana nuuanu orbito photography surfrider waikiki wedding weddings
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  • Happy Holidays!

    • 31 Dec 2011
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    • 5d christmas families family hawaii holiday honolulu marc orbito photography
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    Christmas is definitely a time for the children. It is when their dreams come true and hearts are relenquished for the new year. And as the gifts and presents are unwrapped, we are reminded that the Holidays isn't about toys or candy or feasts, but about being grateful for what we have and that sharing a part of ourselves - the happiness, kindness and joy inside of us, is what really matters. With the new year, there is always hope and a chance for renewal and forgiveness. Let us march forward in good nature. The Hungry Eye hopes you had a wonderful holiday season!

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  • A Tour of Disney's NEW Aulani Resort!

    • 11 Aug 2011
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    • aulani disney etc hawaii koolina photography pool preview rooms slide tour
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    Today, members of my high school reunion planning committee (myself included) got the chance to tour Disney's Aulani - a resort very close to completion and located in the Ko'olina complex on the west region of the island of Oahu. The place will be opening in a couple of weeks.

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    Brandi, our bright and cheery tour guide, greeted us under the vaulted, open air ceiling of the main lobby. In a few minutes, she was explaining to us the motifs and narratives presented to us in the murals above. I don't want to go too much into detail (this is a photoblog, after all), but in a nutshell it tells us, through imagery, the story of the Hawaiians of old, how they as a people lived, and what they held dear to their hearts. Anyone locals remember 4th grade Hawaiiana studies? Just like that.

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    Resorts in the tropics are unique in that they are always designed to be keen to the hot and sunny climate they are in. Aulani is no exception.

    As you enter, one is greeted with a grand vista of "The Valley" below, the beach ahead, and the ocean beyond. The Valley consists of a pool built around an artificial volcano with slides and a "river" surrounding it. 

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    Large windows allow enormous amounts of natural light to flood in. Fountains and water are everywhere.

    We were told that Aulani leads the way in substainability, using the most energry efficient and eco-friendly elements known to us at this point in time.

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    Here's a pic of the (almost completed) front desk.

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    Long hallways take you to either the Ku or Hina wings of the hotel. Hina faces east where most of the time unit shares are. We headed west and up the elevators to check out a couple of the rooms.

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    A view as you exit the elevator and head to units.

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    The tapa motiff and symbols are everywhere. It's very easy to overlook something that has significance - the place is rich with design. And Disney magic. Can you spot the hidden Mickeys here?

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    A king bed awaits in the one bedroom suite. Blankets are adorned with Hawaiian quilt patterns.

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    All of the carpets here are custom made.

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    There's custom masonry and carvings on the stairs that head down to the Makahiki bar and dining area.

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    The bar is full of unique, hand-made scupltures illustrating different Hawaiian words. I was told that words flash up in lights on the bar's surface itself to help you build your Hawaiian language skills.

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    There's complimentary wi-fi everywhere on the resort grounds, all the way out to the shore. The guy seated here is from the staff on the mainland. He was tasked with sitting in the bar and testing the internet connection. Gruelling work if you ask me.

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    Here's where the Makahiki breakfast buffets will happen. Character dining, where Mickey, Minnie, Goofy, Lilo and Stich visit tables for photo ops will occur on select mornings... 

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    It's cute that they've got a small section of the buffet designated for children. (See left of the photo above) It's much lower in size and served up are smaller portions that are easy for little hands to access.

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    Next, we headed to the conference and ballroom area of the hotel. 

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    In this 1/3 of the ballroom, there were computers setup for staff training. This is where we would be having our class reunion banquet. Seen one hotel banquet room, seen um all!

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    On the grounds were many Disney castmembers from the mainland. They were rehearsing their roles this week and on this particular day, Brandi tells us they are testing each other with real life scenerios - real stuff that could happen on the job. Come next week, the execs from the mainland will arrive with their families to put the workers to the test. 

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    Again, water is everywhere. Where there is water, there is life.

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    Here's part of the pool where you float on tubes through caves. There's a lifeguard on duty about every 20 to 30 yards!

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    These large illustrations on the side of the hotel are visible form the highway. This one sits about Aunty's Beach House, an activity center for children. I wish we would have been able to go in, but they were filming a commercial at the time of our visit.

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    The higher end restaurant at the resort fronts the lagoon. I can imagine beautiful views of the sunset come the end of the day. The Ama Ama, as this place is known, is helmed by Chef Patrick Callarec, who I hear has quite the resume. Guess I'll have to test the place out myself when it opens!

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    Brandi shows us more detail of the pool area.

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    I don't have a good photo of it, but the resort is full of native plants, trees and flowers - all of which seemed very mature. The stuff looked like it had been growing there for years!

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    I tried to get at a lower angle for this shot. I'd imagine that if you were sitting in here, the perspective would blend pool and ocean together. Ahh, paradise.

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    There's a shave ice stand in the middle of the pool, as well as convenience store in the volcano. Workers here are testing the product.

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    There's a menehune water play structure for the kids off to the left. The rules say you have to be at least 48" tall to play on the thing. I can't wait to shoot my kids with the gourd water cannons.

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    There's also an adult pool area with a bar that was roped off.

    Anyway, that's it. For now. The castmembers we encountered were quite friendly, and there was a very casual feel to our interactions. I don't know about you, but when I'm at a Disney park on the mainland, or even at the Disney Store at Ala Moana, my interactions sometimes seem phony and exaggerated. That wasn't the case here.

    On the resort itself? Many will argue the cultural authenticity of the design and the people. I don't see a need to. I think Disney has put forth quite the effort in creating something real, and it will move visitors in only the way Disney can. Aulani will be an island escape designed to entertain, enthrall, and enchant those that enter. And I was all of the above. It's early, but I can already say that it's pure magic.

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  • A Memorial for Ryan

    • 2 May 2011
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    • 70-200 Special canon etc hawaii honolulu kakaako memorial park tweetup photography rsuenaga ryan twitter waterfront
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    On May 1, 2011, friends of Ryan Suenaga gathered at Kakaako Waterfront Park to celebrate the life of the man who so affected them.

    With a fellowship that met at the pavilion by the water, we socialized and took comfort in each other before spending laying some lei in the ocean. This was a non-religious event, regardless of the spiritual nature. Ryan’s Buddhist background brought Miki Nakura, a minister from Higashi Hongwanji, to share with us a brief chant - Ryan was a regular at this Kaneohe temple.

    Valentino Valdez, part of Ryan's “Tweeball” team (which includes myself), had a specially designed T-shirt available for those that attended.

    I could feel Ryan's presence in the air that morning. I think he would have scolded us for "wasting" our time on him, but he MORE than deserved it. Aloha, Ryan!

    Thanks to all who came and contributed.

    You can find a comprehensive list of internet memorials for Ryan at Ryan Ozawa's Blog. 

    I previously wrote a tribute to Ryan Suenaga in a previous post.

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  • "The Wine Escape," featuring Tasha Johnson

    • 18 Apr 2011
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    • canon fashion hawaii honolulu johnson models pageant photography portraits strobe tasha
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    We planned this shoot around the dress that Tasha had bought and used in the Miss Hawaii pageant a couple of years back. It's quite glamorous, and, as she explained to me during the shoot that it was quite expensive. It was expensive enough that we had to at least get her photographed in it. Very good reason indeed. Gotta get the most for her money, right? 

    I approached this shoot with a bit of a narrative in mind. Our story would be that, Tasha was trapped at this dinner party, a place she had no business being, so, in the middle of it all, she ups and flees. Yeah, it's sorta like what Kate Winslet's character did in "Titanic," only, instead of running out to the deck to jump off the ship, she (more wisely) grabs one of the bottles of wine instead and journeys her way out into the night to reflect on her place in life. Glass in hand, she is in good company.

    I had lots of help on this one and it shows. The results are quite different than on the previous few portrait sessions I've done, where I went solo for the most part. Special thanks to Jonas Maon (for his car, gear, and lighting help), Troi Orias (lighting assistant, gear caddy), Jobelle Asto (hair, makeup) and model Tasha Johnson. My brother, Mike Orbito was also along for the fun. He shot some video and hopefully we'll see some cool behind the action stuff soon. Great work everyone!

    Enjoy. 

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  • The Wedding of Joy & Jared

    • 11 Apr 2011
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    • 5d canon hawaii honolulu hungry eye love marc mark II orbito photography romance waikiki wedding weddings
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    Congratulations to Jared and Joy, an amazing couple I met via Twitter. They flew all the way to Hawaii from Alabama to be married in front of friends of family!

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    Special thanks to my friends Dallas and Ed White of D'Amour Pacific for co-shooting this wedding! 

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  • Balloons, a fisheye and the park

    • 13 Feb 2011
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    Rented gear this morning for some jobs this weekend. After swiping some balloons from Amy's first birthday party, we made a stop at Booth Park on the way home so I could take a couple of photos. This one is my favorite! 

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  • Donna

    • 8 Feb 2011
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    So I've been in this grass phase lately. I did a quick 20 minute exercise that I consider to be more practice than anything else. Again, we shot in all natural light with the sky as key and a low sun as backlight. I stuck with my adopted appendage, the Canon 5D Mark II and the ever so awesome 70-200 at f2.8 again. I'm thinking I can probably do these types of shoots in my sleep by now (not sure if that's good or bad). lol!

    This was my second shoot with Donna. After being in a couple of magazines, she was definitely a lot more comfortable in front of the camera this time around. See?

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  • About

    Howdy! My name is Marc Orbito. I'm a general photographer in the state of Hawaii who enjoys photographing people!

    I'm also a father, husband, Apple geekboy, writer, Disney junkie, Miami Heat basketball fan and washed-out cinephile.

    I invite you to look around. Hopefully you'll like what you see and and maybe even hire me!

    Contact me for rates at marc @ orbito.net

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